Russian Revolutionary Architecture

In the courtyard of London's Royal Academy of Arts stands the 20th century's most avant-garde strand of architectural genetics. The veering red spiral, intersected by a girder jutting through it like a rocket launcher, is a copy of the original model of the Monument to the Third International, designed by Vladimir Tatlin in 1920. Had it been built to its intended scale as the headquarters of the Communist party, it would have dwarfed the Eiffel Tower. In a world awash with "iconic" architecture, nothing comes even close to radiating the raw potency of this truly revolutionary form.

That is why the Royal Academy's new show, Building the Revolution: Soviet Art and Architecture 1915-35, deserves to be stampeded. The word "revolution" has become discredited, and this show thoroughly re-energises its meaning in art and architecture. The key fragments of Russian revolutionary creativity still glow like radium, living on in its remaining art and buildings, and hard-wired into the imaginations of some of the 20th and 21st century's most influential architects.
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